John Cage

John Cage

Of the composers of the twentieth century John Cage (1912–1992) is doubtless one of the most inventive and the most determined in the pursuit of his musical goals. Though not responsible for its invention – for that we have Henry Cowell to thank – it was Cage's sophisticated use of the prepared piano that first brought him fame. In addition, he was responsible for a number of innovations in the aesthetics of music that were as radical as they were influential: the emancipation of noise and the use of silence as an equal partner to the musical material, the introduction of chance processes in composition, the liberation of sounds from any association with history or intention, and not least doing away with the borders of the musical work by introducing other arts. In doing so Cage's declared goal was to reconcile art and life.

It would be extremely difficult to calculate, let alone critically evaluate, the stimulating effect and ramifications that Cage’s work has had on 20th century music and art, for it is clear that the musical developments of our time cannot be understood without taking into account his music and ideas.

Cage was elected to the National Academy and Institute of Arts and Letters and received innumerable awards and honors both in the United States and in Europe. He was commissioned by a great many of the most important performing organizations both here and abroad, and maintained a very active schedule.